
Since more than 25 years Norbert Rodenkirchen dedicates himself to the artistic dialogue between old and new sounds, between middle ages and today. On the one hand he is well in demand as a soloist on historic transverse flute as well as a subtle accompagnist in the scene of historically informed performance practice. On the other hand he is very active as a composer and improviser of an experimental archaic music in the new music scene of Cologne.
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Nach der senenden claghe muz ich singhen
Der unghelarte hat ghemachet eyne senende wise
Ich han gedacht
Fluorescence
Phosphorescence
Triage
Society of the First Snowfall
Vanishing Point
Mille Regretz
Spectral Corridors
Incandescence
Kinetoscope Flashes
Bist du in der minne dro
Graff peters grosse tagewyse
The Invention of Dreaming
Ich warne dich vil jungher man ghetzarte
Iridescence
Clair Obscure
Ductia Pierron
Eiszeit
Last Day-Lost Day
In dem ungelarten [late 13th Century]
Min trureclichez klagen
De voghelin untphat des lechten meyien scin - Od zielonego gaju
O Maria virgineis [late 13th Century]
Lai de la pastourelle [late 13th Century]
Labyrinths Of Sound I
Res Tassini
Prueffwyse - Kupalatanz
Meet You In The Morning Sky
Labyrinths Of Sound II
Puncti
La Prime Estampie Royal
Dansse Real
Mouvements
Tout Autresi
Tractus Iocularis
En Ceste Note Dirai
Labyrinths Of Sound IV
Pora maty zyto (arr. N. Rodenkirchen, G.P. Cecere and W. Reithofer)
Labyrinths Of Sound III
Douce Dame
Persikon
Symphoniae: O felix anima
Elci Pesrev
Landarico
Labyrinths Of Sound V
Tibia ex tempore - Medieval Sketches
Le mystère de l'azur - Improvisation
Hildegard von Bingen "Ordo Virtutum", Scivias Chor 2005
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