
Asnaqètch Wèrqu made her name as one of Ethiopia’s first screen actresses in the 1950s. Then for 30 years she won people’s lasting respect and affection for her “poignant laments” and “sarcastic ditties.” Her krar, an ancient, folkloric Ethiopan lyre, ( the companion of the lonely and loveless), has a thin, brittle sound—somewhere between an old, dull-toned banjo and a Japanese koto—and her clear voice flutters and moans with the seductive allure of old country blues or dark, Celtic ballads.
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Tezeta

Lomi talubat

Gum Gum

Mèla mèla

Endègèna

Gubèlyé

Mengedegnaw Lebe

Mèngèdègnaw lebè

Endénèh bèlulegn

Sabyé

Alèmyé

Erèyé demamu

Feqrié dèhna hun

Tchela atbèlègn

Feqryé tèrèda

Altchelèwem berd nèw

Endè Iyèrusalém

Mela Mela

Endegena

Wègèné

Shèmonmwanayéwa

Alèm shègga

Sèla bèlelegn

Eh lebèl

Gubelye

Ende Iyerusalem

Sabye

Alemye

Wegene

Endeneh Belulegn

Mètché new

Alem Shegga

Altchelewem Berd New

Feqrie dehna hun

Ereye Demamu

Shemonmwanayewa

Sela Belelegn

Eh Lebel

Feqrye tereda

Metche New

Tchela Atbelegn

Mèngèdègnaw lebé

Mètché nèw
Endè Lyèrusalém
Tezata
Feqrié tèrèda
Fegrye Tereda
Sèla bèlegn
Asnaqetch Werqu - Tezeta
Asnaqetch Werqu - Endénèh Bèlulegn
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